oct.12-28,2022 台灣畫,話台灣-陳榮和 水繪台灣風土, Oct.12: Formosa evergreen Scroll & Chen zong ho's watercolors

70年代陳榮和台灣環島風景畫作明信片一套:

封套內印有台灣當年觀光鐵公路路線圖, 指引觀光客該去哪？如何去？ 該買什麼?   地圖上還標註許多景點符號, 如: 溫泉, 原住民, 八卦山大佛, 西螺大橋, 石門水庫, 指南宮等，以突顯觀光景點 , 大部分景點以中英文標註. 明信片背面以日文簡介各地歷史及名產 (因當年台灣以日本觀光客為大宗), 例如: 台南の東門城, 歷史: 鄭成功驅逐在安平的荷蘭人, 鎮守台南, 是當年台南政經中心的東門城的古蹟殘骸; 台南的名產是烏魚子.

Chen Zong Ho's postcards of Taiwan Scenery Island-wide in 70':

A railroad map of Taiwan for tourism was printed on inside of the cover, indicated attractions and directions. Symbols can be seen on the map like: hot spring, indigenous peoples, Statue of Buddha of Mt. BaGua,  Xiluo Bridge, Shihmen Reservoir, Zhinan Temple and so on, and most of the attractions were in both Chinese and English. 

At the reverse side of each postcard, there's introduction of local history and famous food in Japanese as the main tourists were Japanese at that time. 

ex: the postcard East Gate of Tainan, History: Zheng Cheng-Gong expelled the Dutch in Anping and guarded Tainan. It was the remains of the historical site of East Gate, the political and economic center of Tainan at that time.

Famous food: mullet roe. 

60年代全台畫家老師名冊, 即陳榮和的客戶名冊:

陳榮和任教時兼差推廣日本Pentel百點美術用品, 跑遍全台定期拜訪畫家老師們. 他提供最新美術雜志及用品, 示範具象抽象的繪畫形式, 影響畫家老師們也影響自己, 對當年台灣美術教育的灌溉有廣面的影響.

第一直排: 全台的畫家老師們,包括林之助, 張萬傳, 李澤藩等無數當今知名的畫家. (翻面還有)

第二直排:畫家老師們當時任教的學校

最上方的橫排: 陳榮和當時定期提供給畫家老師們的主流美術雜誌, 如: Atelier, みずえ(水繪), 美育文化, 藝術新潮, 兒童畫集等.

Clients Notebook, a list of art teachers allover Taiwan:

Chen Zong Ho took a side job of promoting Japanese Pentel art supplies while being an art teacher at school. He visited art teachers island-wide regularly, offered latest art magazines and introduced art supplies, provided demonstrations of both concrete and abstract painting forms, influenced art teachers and also himself, the impact on irrigating Taiwan fine art development during 60’ and 70’ is uncountable. 

First Column: Names of art teachers allover Taiwan including Lin Jh-Jhu, Lee Tze-Fan, Chang Wan-Chuan and many famous painters today. (also in reverse side of page) 

Second Column: the schools that each art teacher worked at that time.

The row on the top: He regularly offered latest fine art magazines to art teachers, like: Atelier, みずえ(水繪), 美育文化, 藝術新潮, 兒童畫集.

陳榮和在台灣美術史上的「第一及唯一」:

-二戰後台灣第一代的水彩畫名家。

-1950年以水彩及素描第一名畢業於國立師範大學美術系第一屆, 是台灣第一代本土學院派養成的畫家, 完成純國人教授的大學美術教育, 代表台灣美術新一階段的開始。(前輩畫家需到國外才能取得美術大學文憑).

-師大美術第一屆畢業的18名學生中僅有幾位日後持續創作，而陳榮和於大約32年間留下千幅作品（1970年前的作品因失火全部燒毀）。以這樣的作品數量及一生水彩但多種畫風的創作力，在師大第一屆畢業的學人中只有陳榮和。 

-當年同輩的許多水彩畫家轉向油畫創作, 陳榮和堅持水彩創作逾六十多年.

-陳榮和職業生涯中除了任教後來還從

 商, 全台推廣日本Pentel美術用品, 定

 期提供多種日本美術月刊給畫家老師

 們, 灌溉了當年美術資源貧瘠的台灣.

 (當年台製顔料蠟筆紙張價格低但品

 質劣）

-作品連續11次入選日本水彩畫會, 並

  在東京都美術館展出.

-70年代曾帶日本水彩畫會理事長不

 破章先生南下屏東旗山等地寫生.

-早年曾帶日本及琉球畫家們來台示範

 繪畫技巧, 帶他們寫生並協助辦展.

-台灣畫家老師兼差做美術用品業務, 

 是日本百點Pentel美術用品開拓台灣

 市場的主要媒介.

-帶琉球畫家及人體模特兒隨行示範繪

 畫技巧, 在那保守的年代裏, 讓畫家老

 師們卸下畫裸女的靦腆。

-早期南台灣要得知新潮美術資訊, 大

 家第一個想到的就是陳榮和.

-南北水彩畫會創始人之一. 

Chen Zong Ho's couples of “first” or “only” in Taiwan fine art history:

-A first-generation watercolor painter

 during post-World War II.

-Graduated as valedictorian of 

 watercolor and sketch of the first 

 graduating class of the Fine Arts 

 Dept. of the NTNU Taiwan.

-One of the first generation painters

 completed domestic fine art 

 university education in Taiwan, it's a 

 beginning of new stage of fine art in

 Taiwan, because most of the 

 predecessors could only get 

 their degree overseas.

-Only a few of the 18 graduates of

 the first graduating class of Fine 

 Arts Depts of NTNU Taiwan 

 continued to paint afterwards. Chen

 Zong Ho left a thousand works in 

 about 32 years (the works before

 1970 were all destroyed by a fire). 

 With such quantity of works, 

 insisted on watercolor creating a

 variety of painting styles, Chen Zong

 Ho is the only one among the first 

 graduates of NTNU. 

-Many watercolor painters of the

 same generation turned to oil 

 painting, Chen Zong Ho insisted on 

 watercolor for more than 60 years.

-In addition to being teacher, he took

 side job as a promoter of Japanese

 Pentel art supplies to open up the 

 market in Taiwan, also provided

 several kinds of Japanese monthly

 art magazines for painters and 

 teachers. It had a wide-ranging 

 impact on enriching the lack of art

 sources of Taiwan during the 1950' 

 and 1960'. (the quality of Taiwan-

 made paints, crayons and papers 

 were poor but cheaper at that time)

-Art works were selected by Japan

 Watercolor Association eleven

 times consecutively and were

 exhibited at Tokyo Metropolitan Art 

 Museum.

-Ever accompanied Fuwa Akira, 

 Japanese famous painter, down to

 southern Taiwan for painting tour 

 during 70's.

-Took Japanese painters to 

 demonstrate Pentel art supplies

 and painting skills at schools 

 allover Taiwan, and took them  to

 paint landscape in Taiwan, also

 assisted their exhibition in Taiwan. 

-Took Okinawa painter accompanied

 with a nude model to demonstrate

 painting skill and Pentel products,

 letting art teachers begin feeling 

 free to paint nude model in 

 conservative old days of Taiwan. 

-The first person whom the public

 would mention to get first hand 

 Japanese art information from in

 southern Taiwan in early days.

-One of the artists to establish 

 "South-North Watercolor 

  Association".

陳栄和が台湾芸術の歴史で言及する価値のある「最初の」そして「唯一の」：

-彼は台湾の最初世代の自国の美術アカデミーで大学教育を受けた画家、は師範大学美術学院の最初の世代 の卒業生です。

-屏東で最初の高度な芸術訓練を受けた画家。

-11回連続で作品が日本水彩絵画会に入選し、並びに東京都立美術館にて出展される。

-1969~1979年,  彼は台湾南部に行き、日本の水彩画家不破章氏と一緒にスケッチしました。

-日本人と琉球の画家を連れて台湾でスケッチをし、絵画を実演し、絵画展を手伝ってください。 

-台湾で最初で唯一の画家教師は画材事業でもあり、日本の「ぺんてる」 画材は、台湾での事業拡大の中心人物です、60 'と70'は台湾の美術教育に幅広い影響を与えています。 

-琉球の画家やモデルを連れて絵のデモンストレーションを行い、台湾の美術教師が裸の女の子を描く狭い扉を開けた。 

-台湾南部の初期の頃、最新のアート情報を入手する必要があったとき、誰もが最初に考えたのは陳栄和。

-南北絵画協会の創設者の一人。

-海外に長い間住んでいる張義雄氏の台湾美術界への進出を支援、紹介したのは陳栄和です。