二戰後台灣第一代水彩畫家 First generation watercolor painters in Taiwan during post World War II

70年代陳榮和台灣環島風景畫作明信片一套:

封套內印有台灣當年觀光鐵公路路線圖, 指引觀光客該去哪？如何去？ 該買什麼?   地圖上還標註許多景點符號, 如: 溫泉, 原住民, 八卦山大佛, 西螺大橋, 石門水庫, 指南宮等，以突顯觀光景點 , 大部分景點以中英文標註. 明信片背面以日文簡介各地歷史及名產 (因當年台灣以日本觀光客為大宗), 例如: 台南の東門城, 歷史: 鄭成功驅逐在安平的荷蘭人, 鎮守台南, 是當年台南政經中心的東門城的古蹟殘骸; 台南的名產是烏魚子.

Chen Zong Ho's postcards of Taiwan Scenery Island-wide in 70':

A railroad map of Taiwan for tourism was printed on inside of the cover, indicated attractions and directions. Symbols can be seen on the map like: hot spring, indigenous peoples, Statue of Buddha of Mt. BaGua,  Xiluo Bridge, Shihmen Reservoir, Zhinan Temple and so on, and most of the attractions were in both Chinese and English. 

At the reverse side of each postcard, there's introduction of local history and famous food in Japanese as the main tourists were Japanese at that time. 

ex: the postcard East Gate of Tainan, History: Zheng Cheng-Gong expelled the Dutch in Anping and guarded Tainan. It was the remains of the historical site of East Gate, the political and economic center of Tainan at that time.

Famous food: mullet roe. 

60年代全台畫家老師名冊, 即陳榮和的客戶名冊:

陳榮和任教時兼差推廣日本Pentel百點美術用品, 跑遍全台定期拜訪畫家老師們. 他提供最新美術雜志及用品, 示範具象抽象的繪畫形式, 影響畫家老師們也影響自己, 對當年台灣美術教育的灌溉有廣面的影響.

第一直排: 全台的畫家老師們,包括林之助, 張萬傳, 李澤藩等無數當今知名的畫家. (翻面還有)

第二直排:畫家老師們當時任教的學校

最上方的橫排: 陳榮和當時定期提供給畫家老師們的主流美術雜誌, 如: Atelier, みずえ(水繪), 美育文化, 藝術新潮, 兒童畫集等.

Clients Notebook, a list of art teachers allover Taiwan:

Chen Zong Ho took a side job of promoting Japanese Pentel art supplies while being an art teacher at school. He visited art teachers island-wide regularly, offered latest art magazines and introduced art supplies, provided demonstrations of both concrete and abstract painting forms, influenced art teachers and also himself, the impact on irrigating Taiwan fine art development during 60’ and 70’ is uncountable. 

First Column: Names of art teachers allover Taiwan including Lin Jh-Jhu, Lee Tze-Fan, Chang Wan-Chuan and many famous painters today. (also in reverse side of page) 

Second Column: the schools that each art teacher worked at that time.

The row on the top: He regularly offered latest fine art magazines to art teachers, like: Atelier, みずえ(水繪), 美育文化, 藝術新潮, 兒童畫集.

陳榮和在台灣美術史上的「第一及唯一」:

-二戰後台灣第一代水彩畫家, 完

 成台灣第一代本土大學美術教

 育。

-1950年以水彩及素描第一名畢

 業於師範大學美術系第一屆, 是

 台灣第一代本土學院派養成的

 畫家。

-作品連續11次入選日本水彩畫

 會, 並在東京都美術館展出。 

-可能是第一個畫家, 畫作描繪遍

 及台灣70年代的 16 個縣市包括

 離島. 他的畫作製成一套台灣水

 彩畫觀光風景明信片, 描繪了16

 個名勝古跡, 每個景點代表一個

 台灣縣市.

-師大美術第一屆畢業的18名學

 生中, 日後持續創作的不多. 以

 陳榮和的作品之多, 及一生專注

 水彩但多種畫風的創作力, 在師

 大第一屆畢業的學生中只有陳

 榮和。(同輩的一些水彩畫家轉

 向油畫創作)

-50年代唯一的台灣畫家老師兼

 差做進口美術用品業務。

-是日本百點 Pentel美術用品開

 拓台灣市場的主要媒介。

-早期南台灣民風保守, 要得知

 新潮美術資訊, 大家第一個想到

 的就是陳榮和。

-陳榮和豐富了早年台灣貧瘠的

 美術資源。他推廣日本美術用

 品, 定期提供多種進口美術月刊

 給全台各級學校的畫家老師們

 及學生們。

-50年代開始帶日本畫家來台示

 範技巧並寫生, 如: 宮城健盛; 70

 年代陪同日本水彩畫家不破章

 南下屏東旗山寫生。

-南北水彩畫會創始人之一。 

Chen Zong Ho's couples of “first” or “only” in Taiwan fine art history:

-A first-generation watercolor

painter during post-World War II 

-A first generation painter

 completed domestic fine art 

 university education in Taiwan.

 (the predecessors went abroad

  to get bachelor's degree of 

 Fine Art)

-Graduated as valedictorian of 

 watercolor and sketch of the  

 first graduating class of the 

 Fine Arts Dept. of the NTNU 

 Taiwan.

-Artworks were selected by 

 Japan Watercolor Association

 11 times consecutively and

 were exhibited at the Tokyo

 Metropolitan Art Museum.

-He might be the first painter

 whose paintings includes 16

 counties of Taiwan including

 outlying islands. The Postcard

 Set of Taiwan scenery made by 

 his watercolor paintings,

 depicted 16 historical sites and

 scenic spots, represented 16

 counties of Taiwan in the 70s. 

-Among the 18 graduates of 

 the first graduating class of

 Fine Arts Dept. of NTNU, only

 few were active in the art circle

 afterwards. Chen Zong Ho

 was the only one who 

 insisted on watercolor for over

 60 years,  creating various 

 styles and left a considerable 

 quantity of works (Many 

 watercolor painters of his

 generation turned to 

 oil paintings)

-Chen might be the only fine art teacher of his generation in the 50s in Taiwan who worked as a part-time salesman for  imported art supplies. 

-Chen was the main person to  expand the market of Pentel  Japanese art supplies in Taiwan from the 50s. 

-Chen was the person whom the public would mention to get firsthand art information from in southern Taiwan from t he 50s. 

-Chen enriched the fine art  sources of Taiwan from the   50s when it was lacking. He  provided Japanese art  supplies and monthly art magazines for painters, art teachers and students in all  school levels.

-Chen took Japanese painters  to demonstrate painting skill and painted throughout  Taiwan including Miyagi  Kensei. In the 70s, Chen took Fuwa Akira down to southern  Taiwan for painting.

-One of the founders of the  North-South Watercolor Society.     

 陳栄和が台湾芸術の歴史で言及する価値のある「最初の」そして「唯一の」：

-彼は台湾の最初世代の自国の美術アカデミーで大学教育を受けた画家、は師範大学美術学院の最初の世代 の卒業生です。

-屏東で最初の高度な芸術訓練を受けた画家。

-11回連続で作品が日本水彩絵画会に入選し、並びに東京都立美術館にて出展される。

-1969~1979年,  彼は台湾南部に行き、日本の水彩画家不破章氏と一緒にスケッチしました。

-日本人と琉球の画家を連れて台湾でスケッチをし、絵画を実演し、絵画展を手伝ってください。 

-台湾で最初で唯一の画家教師は画材事業でもあり、日本の「ぺんてる」 画材は、台湾での事業拡大の中心人物です、60 'と70'は台湾の美術教育に幅広い影響を与えています。 

-琉球の画家やモデルを連れて絵のデモンストレーションを行い、台湾の美術教師が裸の女の子を描く狭い扉を開けた。

-台湾南部の初期の頃、最新のアート情報を入手する必要があったとき、誰もが最初に考えたのは陳栄和。

-南北絵画協会の創設者の一人。

-海外に長い間住んでいる張義雄氏の台湾美術界への進出を支援、紹介したのは陳栄和です。